... tão simples quanto isso ...

Delta Spirit - Delta Spirit (2012)

2012-02-26T12:38:00.001Z

I sincerely recommend this album!

Project number three for Delta Spirit and still looking great!

If you follow my blog and don't know them by now... Boy you're missin' out!

The Artist (2011)

2012-02-24T12:14:00.002Z

Without extending myself too much, because it seems like there's not much left to be said, let me just stress how important it is to watch The Artist (2011) in a proper cinema room, in order to take full advantage of the magnificent experience that is watching this mute film.

Almost like a time machine, the audience travels to a past age through the vision and lens of French director Michel Hazanavicius, aided by a cast lead by a magnificent Jean Dujardin and Bérénice Bejo.

Few minutes after the movie started, I was surprised - even considering I was aware of its success - with its ability to compete against modern day movies. I could see why it was so good, but I'll be honest... Half way through, I wondered why all the fuss about the silent feature. I mean, it's great and all, but to that extent where everyone was just raving about it?! Why? Because it was shot in "black & white" and it was mute? Because the concept was fresh and at the same time risky, while still being able to "pull it off"? Sure... Credit should be given, but it was my belief that it was a good film without being outrageously superb like most critics reviewed it.

That line of though went at least prior to the last twenty minutes of the movie, where from then on until the end I was engaged in every single scene with fascination and wonder, completely absorbed into the action that was taking place. Everything seemed just perfect... from the directing, to editing, to actors performance and soundtrack. However, if having to pick an outstanding element, it would be Jean Dujardin.

I was completely blown away by the way he took such a hard role and made it brilliant. I still think that Fassbender should be up there with the French actor fighting for the Oscar, having no other being good enough to match them (Clooney, Pitt, Oldman.. The rest still to be seen). Anyway, if he wins it, good for him! He deserves it! As for other categories nominated... all of them deserving of recognition!

The Artist is that good!!

Those are my two cents about the movie... Go watch it while you can!

Lenda do Homem Pássaro

2012-02-23T12:14:00.000Z

by: JP Simões

Benfica 2012

2012-02-22T11:58:00.003Z

Há muito que estou para escrever um texto sobre este Benfica... chamemos-lhe 2012!

Com Jorge Jesus no leme da equipa pela terceira época consecutiva, posso dizer que o treinador Português apresenta um saldo bastante positivo desde que assumiu o controlo técnico sob o plantel encarnado. Naturalmente, este resultado aparece como consequência do seu talento e métodos enquanto "manager", mas não só. O facto de ter sido implementada uma direcção estável e organizada, que muito tem trabalhado para providenciar as melhores condições tanto ao corpo técnico, como dirigentes e mesmo os adeptos, revela-se como elemento (ou conjunto de elementos) decisivo.
Pode-se dizer que o Benfica goza de uma "qualidade de vida" praticamente igualável ao seu estatuto enquanto grande Europeu!

É verdade que já passaram muitos anos desde a então denominada "época dourada" do Benfica... É também verdade que não somos o grande colosso do futebol que fomos em tempos... mas dentro da minha ingenuidade aliada ao optimismo tão tipicamente Benfiquista - sempre convencidos que fazemos frente a qualquer equipa do mundo e que todos os anos somos candidatos a ganhar a "Liga dos Campeões" - vejo cada vez mais razões para afirmar que estamos no trajecto certo para devolver essa grandeza sem termos que ouvir frases "cliché" como "ainda vivem no passado".

Os elementos estão lá... A equipa técnica mantém-se igual, direccão idem... a base da equipa mantém-se praticamente a mesma, embora sempre com alguns retoques. O ano passado infelizmente, os ajustes que foram feitos acabaram por não surtir efeito, dado o "peso" das ausências que tivemos de colmatar. A saída de Di Maria e Ramires - e mais tarde, David Luiz - foram golpes demasiado duros nas nossas aspirações, tendo nós perdido os melhores jogadores para cada área do campo (defesa, meio campo, ataque). Tendo o Porto mantido a sua estrutura praticamente intocável e já com maior experiência e rotina de jogo, é apenas natural que se tenham apresentado com toda a força, tendo sido Campeões com muito mérito.
Na minha opinião, o Benfica simplesmente não estava a sua altura e a classificação final, torna isso bem patente. Mas se olhar para a tabela classificativa não é suficiente para ilustrar as diferenças entre os dois Grandes de Portugal, basta olhar para a diferença nas exibições. O Benfica não tendo sido mau - acabou mesmo por fazer uma época de grande calibre - simplesmente não conseguiu ofuscar os Dragões, que estiveram perto de uma época perfeita. Há no entanto quem diga, que o Porto só acabou por assumir a liderança do campeonato, fruto de arbitragens de critérios "duvidosos"...
Eu prefiro não entrar por esse caminho... Não acredito que tenha sido por ai, mas não há maneira de tirar isso a limpo... como tal, basta-nos olhar para a frente e procurar fazer melhor.

Assim tem sido esta época! Os tais retoques de que já falei, revelaram-se cruciais na construção desta equipa 2012, com várias contratações a surgirem, todas com bastante qualidade e influência na equipa. De tal forma acertadas, que gozamos de um privilégio incrível ao podermos recorrer a um sistema de rotação, sem que o considerado "onze titular" tenha grandes diferenças de rendimento. É evidente que - como todas as equipas - temos os chamados "elos mais fracos", mas nem por isso tão maus ao ponto de comprometer as aspirações dos "Diabos Vermelhos". Vejam o caso do Emerson, o nosso lateral esquerdo... O Brasileiro possivelmente poderá ser campeão pela segunda vez, num espaço de dois anos, em dois campeonatos diferentes. Tudo isto quase "sem saber ler nem escrever"! Olhando para um currículo destes, é fácil ser iludido e pensar que estamos perante um jogador refinado, feito maioritariamente de grandes qualidades...
Quem vê jogos do Benfica sabe perfeitamente que isso e mentira!

Emerson é, nesta altura, um jogador medíocre! Ao ponto de ter conduzido o Jesus a proferir palavras que basicamente revelavam a hipótese de o César Peixoto poder ser titular no Benfica... César Peixoto!!!! Mais do que um elogio ao agora atleta do Gil Vicente, considero um tremendo insulto ao ex-Lille. Lastimável para dizer o mínimo...

Além do Emerson, existe também o Jardel - central de pouca qualidade que facilmente preteria em prol do Miguel Vítor ou ate mesmo do Rui Faria - e o Matic - médio defensivo, sem estofo para grandes jogos Europeus, que apenas se fazer valer pela sua estatura/porte físico.
Neste lote de três jogadores, encontro os elementos - diria eu - mais fracos. Nada mau para um plantel tão vasto como o do Benfica. Analisando de seguida, os os que permaneceram da época transata juntamente com as novas contratações, facilmente fico de sorriso na cara.

- Artur é de caras o melhor Guarda-Redes que tivemos desde o Alemão Robert Enke
- Garay tem vindo a demonstrar a razão pelo qual pertenceu aos quadros do Real Madrid, assumindo-se para já como um substituto (mais que) a altura de David Luiz
- Nolito é um desequilibrador nato, uma verdadeira "dor de cabeça" para a oposição
- Witsel é um jogador jovem de grande potencial, dotado de uma enorme capacidade técnica e de uma grande polivalência.
- Rodrigo, surge mais forte e confiante após um Mundial sub-20 de grande sucesso (a nível individual). Não é por nada que o Saviola neste momento se encontra sentado no banco de suplentes.
- Bruno César, para mim uma grande surpresa... O seu ar "bonacheirão" e o facto de ter sido remetido para o lote de suplentes no Corinthians, confesso que me deixaram bastante apreensivo, mas de facto o médio Brasileiro tem se mostrado como uma boa solução tanto para a ala esquerda como para o meio do terreno. A sua qualidade de passe e - principalmente - o seu remate forte assumem-se como os seus trunfos.

- Os restantes, como o Enzo ou o Yannick, prefiro não falar. Pouco conheço ou vi com a camisola encarnada!

Reflectindo sob a época de 2010 onde fomos campeões, constato que o plantel de hoje oferece outra variedade de soluções, sendo fácil para mim afirmar que temos uma equipa mais forte. Como tal, a fasquia torna-se alta e as expectativas de uma dimensão abismal. A qualidade do futebol praticado alimenta o sonho e a vantagem sobre o Porto, que embora curta, oferece algum alento e optimismo, aliado ao facto de termos o clássico no Estádio da Luz. Não sendo esse jogo decisivo, não deixa de ter a sua importância. Jogos de alto risco, ainda para mais com os contornos que assume, torna tudo muito mais "dramático".

Estou confiante... e sei bem o que o Benfica tem feito por mim esta época! É mesmo por isso que fiz questão de escrever este post, na ressaca da nossa primeira derrota na Liga.
Sim, estou chateado... desiludido até... mas não com a equipa, apenas com o resultado. O jogo frente ao Vitória de Guimarães não passa uma borracha em cima de tudo o que já foi feito, e não me refiro apenas ao Campeonato Português, mas também Taça da Liga e Liga dos Campeões. Não se pode ter memoria curta, nem se pode baixar a cabeça... Muito menos agora!! Estamos tão perto de atingir determinados objectivos, e nós enquanto adeptos, sabemos bem o quão importante é o nosso apoio para a equipa! Haja algum bom senso e discernimento na forma como abordamos cada dia, cada jogo, cada lance...
Vivemos em comunhão, assente no mesmo desejo e ambição...

Nos só queremos o Benfica Campeão!
(rima não foi propositada)

From the depths of Facebook

2012-02-20T11:27:00.000Z

Here's an awesome story I came across in my Facebook news feed... It's worth the reading!

A man sat at a metro station in Washington DC and started to play the violin; it was a cold January morning. He played six Bach pieces for about 45 minutes. During that time, since it was rush hour, it was calculated that 1,100 people went through the station, most of them on their way to work.

Three minutes went by, and a middle aged man noticed there was musician playing. He slowed his pace, and stopped for a few seconds, and then hurried up to meet his schedule.

A minute later, the violinist received his first dollar tip: a woman threw the money in the till and without stopping, and continued to walk.

A few minutes later, someone leaned against the wall to listen to him, but the man looked at his watch and started to walk again. Clearly he was late for work.

The one who paid the most attention was a 3 year old boy. His mother tagged him along, hurried, but the kid stopped to look at the violinist. Finally, the mother pushed hard, and the child continued to walk, turning his head all the time. This action was repeated by several other children. All the parents, without exception, forced them to move on.

In the 45 minutes the musician played, only 6 people stopped and stayed for a while. About 20 gave him money, but continued to walk their normal pace. He collected $32. When he finished playing and silence took over, no one noticed it. No one applauded, nor was there any recognition.

No one knew this, but the violinist was Joshua Bell, one of the most talented musicians in the world. He had just played one of the most intricate pieces ever written, on a violin worth $3.5 million dollars.

Two days before his playing in the subway, Joshua Bell sold out at a theatre in Boston where the seats averaged $100.

This is a real story. Joshua Bell playing incognito in the metro station was organized by the Washington Post as part of a social experiment about perception, taste, and priorities of people. The outlines were: in a commonplace environment at an inappropriate hour: Do we perceive beauty? Do we stop to appreciate it? Do we recognize the talent in an unexpected context?

One of the possible conclusions from this experience could be:

If we do not have a moment to stop and listen to one of the best musicians in the world playing the best music ever written, how many other things are we missing?

Pyro

2012-02-18T14:55:00.000Z

by: Kings of Leon

The Guard (2011)

2012-02-17T11:19:00.000Z

Written and directed by John Michael McDonagh, The Guard (2011) is an Irish black comedy starring Brendan Gleeson and Don Cheadle.

Taking the shape of an unconventional buddy cop movie, this film shows a few resemblances in style and narrative with both Hot Fuzz (2007) and In Bruges, being this last one curiously directed by John M. McDonagh brother, Martin. If that trivia information alone isn't enough, add the fact that Brendan Gleeson also starred in the Belgium centered comedy alongside Colin Farrell.

Being a fan of all films mentioned above, you can pretty much assume that I had a lot of fun watching The Guard. It's smart, dark and witty! The script is by far the best element of the "whole package", being only nearly matched by Brendan Gleason, who delivers yet another great performance.
One of the best Irishman around, no doubt!

However, don't let these last statements misguide you! I'm saying that these elements are the best this comedy has to offer... but they are not the only good things! The directing is discretely adequate to the plot, giving a well paced action and the perfect timing to each line and "take" to go along... And although Gleeson takes the spotlight, it wouldn't be fair to the rest of this magnificent cast not to hand out compliments on their work. Don Cheadle adds the right elements for the leads relationship to have a powerful chemistry and Mark Strong again shows why he is so demanded these days! Liam Cunningham and Fionnula Flanagan complete my list of headlines, regarding the "on-screen talent".

No need for me to continue writing ...
Watch the trailer and hopefully you'll get a gist of what I'm talking about...

Sweet Melodies...

2012-02-16T12:34:00.000Z

...NOT!!!

ENUI MAG - Clap Your Hands Say Yeah em Londres

2012-02-15T13:01:00.001Z

O meu ultimo artigo no site EnuiMag sobre o concerto dos Clap Your Hands Say Yeah em Londres, aqui!

Happy Valentine's day

2012-02-14T13:28:00.001Z

Over the years, Valentine's Day has lost its meaning, becoming increasingly known as a "commercial day".

The week building up to the 14th of February is a time where people are bombarded with advertising and campaigns, trying to make "lovers" obligated to do something special or simply be kind to their loved one, when it should come naturally in a regular basis, rather than just being a consequence of a big system built to make money out of people's needs and emotions. In fact, talking about needs, these are successfully created into the soon-to-be consumers minds... provoking a desire that probably wasn't there in the first place. But what can you do? That's the whole point of advertising... But to think of the dimension a day like this has nowadays is just mind blowing!

I'm still on of those who present themselves as a bit naive! I believe that Valentine's day should be put into practice everyday, in a genuine and pure form, thus avoiding the clichés and almost forced demonstrations of "love".

Much more can be said, but would rather leave it at that...

Be it as it may, there are still people out there who make the best out of it, in a truly genuine fashion. To all those people I wish you a Happy Valentine's day!

My Funny Valentine
Sweet Comic Valentine
You Make Me Smile With My Heart
You're Looks Are Laughable,
Unphotographable
Yet You're My Favorite Work Of Art
Is Your FigureLess Than Greek
Is Your Mouth A Little Weak
When You Open It To Speak
Are You Smart
Don't Change A Hair For Me
Not If You Care For Me
Stay Little Valentine Stay
Each Day Is Valentine's Day

Cœur de Pirate - Blonde (2011)

2012-02-13T15:10:00.000Z

For me to talk about this album, I must first talk about the artist and how I came across her name.

Some time ago, in one of my Facebook wanders, I saw track entitled Comme Des Enfant (Le Matos Andy Carmichael Remix) by Coeur de Pirate. It was a remix, thus, the melody being electronic.

I was quite found of the song, even though I'm not a great fan of the genre.
Ended up posting the track in my blog (as showed in the link placed above), plus doing some research. Without going that deep, I found out she is of Canadian origin, who went by the name of Béatrice Martin and that she played the piano for a living. That's pretty much all I found out in my little investigation.

Eventually, I forgot all about her until very recently I came to an article regarding her latest album, launched in 2011, called Blonde. I decided to give it a chance this morning and I ended up being quite impressed with her second studio effort! Most of its success, according to my personal opinion, was due to the element of surprise being drastically big. Keep in mind that the only track I've ever heard was a remix, so basically, when confronted by the sweet and eloquent melodies, hand in hand with beautiful French lyrics - resonating almost like poetry - I couldn't help myself to surrender to the young Béatrice. In those 12 songs, written and composed by the "Pirate Heart" (English translation for Coeur de Pirate), you can't help but notice its pop vibe mixed with classical influences. Some songs go as far as having traces of Yann Tiersen. Not insinuating she drawn inspiration from the French composer, but some similarities are there. It's a good combo indeed and she is one to look after! I will soon proceed to hearing her debut album... Hope it is as good as this one!

RIP Whitney Houston

2012-02-12T13:22:00.003Z

1963 - 2012

Can't say she was one of my favourites, but one of the great divas of my generation indeed.

Scattered Diamonds

2012-02-10T12:24:00.000Z

by: Hungry Kids of Hungary

"There Was Never Just One"

2012-02-09T11:56:00.000Z

The Bourne Legacy

08.03.12

Strasbourg / St. Denis

2012-02-08T08:55:00.000Z

by: Roy Hargrove Quintet

Apetece-me usar asneiras para descrever o quão bom isto é...

What Life is For

2012-02-06T12:08:00.000Z

by: David Fonseca

Gosto deste gajo.
Tem bom gosto e faz boa música.
Ponto.

Matthew Broderick's Day Off

2012-02-05T13:14:00.000Z

Almost reaching the Super-bowl, I decided to make this post due to the connection it has with the large sports event.

As it turns out, Honda prepared a commercial that ended up being leaked to bigger audiences through the internet! It is sort of an homage to the classic Ferris Bueller's Day Off, directed by the iconic John Hughes.

The ad works almost like a sequel to the 1986 movie, showing the actor Matthew Broderick calling in sick to to skip work. It almost feels like a Deja Vu!

See for yourselves...

Run Into Flowers

2012-02-01T11:14:00.000Z

by: M83

When I heard this track for the first time, couldn't help myself wondering off through flashes of old memories, compiled almost in a music-video sequence, with M83 serving has soundtrack!

A few minutes later, I was picturing Run Into Flowers as a music intro for a hypothetical CNN special 2012 Olympics feature, with loads of slow-motion scenes...

This just to say... I think this atmospheric song is ideal for any soundtrack you wish to create. It suits almost every environment

Old School & New School

2012-01-31T12:17:00.000Z

ENUI MAG - Os Golpes

2012-01-30T13:02:00.000Z

O meu ultimo artigo na Enui Mag sobre o fim d'Os Golpes

K'S Choice

2012-01-27T12:08:00.000Z

Going through my old files I came across a folder holding some "ancient" mp3. Among those tracks I found a folder with loads of K'S Choice songs, something that lead me to become very nostalgic as I reminisced some of my teenage years back in Portugal.
I remember watching the video for Everything For Free loads of times and after that, I'm not an addict, a track that curiously enough preceded the other track that introduced me to the band.

Over the years I became fan of the Belgium group, having dedicated a big portion of a certain year (one that I can't remember) to their albums. Although not listening to them as much like in the past, it was really cool to go over some of the tracks that followed me while growing up!

TONIGHT...

2012-01-26T11:37:00.002Z

...Live at Brixton (London)...

THE MACCABEES

Road To The Oscars: The Nominations

2012-01-25T12:53:00.000Z

This could potentially be one of my biggest rants in the blog, so I will do my best to keep it at a decent length and not abuse on the readers patience.

After watching the list of nominees for the 2012 Oscar ceremony, I almost collapsed after a major struggle to avoid an outburst of rage. I don't even know where to start... So many people left out and so many favored in order to have their name among Hollywood's cream of the crop.

The selection proved that the Academy has a very poor criterion, one that is badly applied.

Moneyball (2011) and The Girl With The Dragon Tattoo (2011), although both being good films, are highly overrated!

The baseball themed movie feels like you've seen it many times before. No big surprises and no big elements that make the movie completely worth it. To have actors nominated just baffles me! It's not like having an average movie and then have a lead actor/actress just nailing a brilliant performance. That is not the case with Moneyball. We've seen a better Brad Pitt and even though we can't say the same for Jonah Hill - who was surprisingly good - it's still not enough to gain a nomination. I could easily pick someone else to take that spot... but the one that comes up to mind in a flash is Albert Brooks for his secondary role in the movie Drive (2011). In fact, the Nicolas Winding Refn movie failed to get nominations in some of the big categories as it should have. This was a big surprise in my opinion. At least it should get some recognition in directing, best movie and best supporting actor, but all failed to happen.

Loads more fell short into the Academy's choices...

Shame (2011) was cut of any nominations when it was almost mandatory that (at least) Steve McQueen and Michael Fassbender should have a bigger role. Especially the last one! I mean... going back to Brad Pitt... How does he keep his spot when going against a performance like Fassbender's? The Irish actor did enough to win that little golden statue and I assume most people who saw Shame will agree with me on this one. Its a tough act to follow (Fassbender's I mean), leaving me even more impatient to see The Descendants (2011), just to clear off my mind ether George Clooney justifies all the praise.

In the "Best Lead Actress" category, it shocks me not to see Tilda Swinton for her role in We Need to Talk About Kevin (2011). I must admit that not having seen most of the actresses awarded with a nomination, it's hard to make a clear and justifiable judgment, however, I wouldn't hesitate to exchange Rooney Mara for Swinton. Honestly, I think that nomination alone - regardless of the existent opposition - just seems wrong from the beginning. Noomi Rapace, who portrayed Lisbath Salander's role in the Swedish version of Stieg Larsson's novels, is way better than Mara, in every single way... but even though her role was acclaimed by audiences and critics worldwide, it was still not good enough to grab a nomination! So why now? What has Mara done better then Rapace that earns her that nomination?
Beat's me!

And what about 50/50 (2011)? I predicted both a nomination for Joseph Gordon-Levitt and Best Original Screenplay, but neither of them followed through. I can live with the first (mostly due to the competition), but Will Reiser deserved something to be on his way...

Proceeding...

Senna (2010), the documentary made by Asif Kapadia, was mysteriously left out. This was made aware when lists with potential candidates where being made, so there is no point complaining about it like I was surprised by its absence. I just couldn't write this without sort of a "side note" just stating "How the hell could they do this?".

For the Animated and Foreign categories, there is no love for The Adventures of Tintin (2011) and La Piel Que Habito - The Skin That I Live In (2011) respectively.

Regarding the first, it just seems silly to me not considering such a wonderful production like Tintin among some pretty average animated movies. I mean... Being almost visually perfect (the best I've seen yet) only takes you so far... I can agree to that! But even thought it's not an instant classic like some of Pixar's recent features, it is still more than good enough to be among the nominees.

In the "Best Foreign Language Film of the Year" category, we have definitely, one of the biggest surprises/injustices.
How is La Piel Que Habito not in the list? I remember some people going mad over Volver back in 2006. A good movie, but not more than that... opposite to Almodovar's last project. Fresh, risky and so well conducted, it just made the Academy look like it was acting a bit prude this year... not letting some of the most daring, dark and twisted assembled works get the credit they deserve!

On the other hand there were a few nice surprises...

Nick Nolte was rewarded for his outstanding role in Warrior (2011). It would feel like one of the biggest injustices if he didn't made the list! It was in my belief this would be a duel between Nolte and Albert Brooks, but the Academy made sure that wasn't happening! Nevertheless, it's great seeing Nolte's work recognized. Hopefully, he will be back on track with this one!

Also as a surprise was Bridesmaids (2011)!
I simply loved that movie... and I thought others would as well, but curiously enough, the last conversations I've been having with people about the groundbreaking "chick flick" comedy, just brought to my attention other different reactions to what I expected!

A lot of people didn't enjoy as much as I imagined they would... thus making this nomination sound absolutely ridiculous. I can relate with that to certain extent, but i'll admit, it does feel good to see such a "silly" (term not used in a denorrogative way) comedy have that kind of feedback from an instituition that most of the times just neglects the comedy genre entirely (unless it has a pseudo intelectual/witty side to it).

Having said all this, even though we might have one or two nice surprises (beyond the obvious choices), there is just not way this compensates for the heavyweight absences in this year's Oscar nominations.

Mark my words: This will go down as one of the most controversial and incoherent lists of all time! Almost like they decided to give "hardcore quality" a break.

List of relevant articles/reviews written for the blog

50/50

Bridesmaids

Drive

Millenium Trilogy (Swedish Version)

MoneyBall

Shame

The Adventures of Tintin

The Girl With The Dragon Tattoo (US Version)

Warrior

We Need To Talk About Kevin

The Girl With The Dragon Tattoo (2011)

2012-01-24T11:29:00.000Z

I never knew where I stood regarding remakes until I saw this one. Before my last time at a cinema, I was neither in favor or against it... Sometimes I would think to myself that certain projects were totally unnecessary, others I would be curious, while very few I would think they were worth it. This last scenario describes accurately my assumption regarding the American remake of The Girl with the Dragon Tattoo (2011).

Based on a novel by Stieg Larsson, this would be the first of a trilogy, later adapted into three Swedish movies to which I saw every single one. The first I saw at my local cinema, while the other two I saw it at home.

I can honestly say I was really impressed with all three of them, but especially with the first! For it's plot, organized and interesting narrative... for it's intensive and thrilling twists and turns and also the wonderful cast! It would be fair as to say it wouldn't make any sense to watch a remake when I had so much fond memories of the original, however, being the remake a project in the helms of master David Fincher, it was very hard for me to resist. Plus, it would be a very good exercise to compare one with another, knowing they had very little time separating one from the other. I found this to be a big mistake... But I'll get to that later.

Comparing both first episodes of Larsson's trilogy, it is in my opinion that the Swedish is by far the best one. There isn't one single aspect that Fincher's take would have something to say better than the original. He adds nothing!

I suspected I would be disappointed after watching the introduction generic. It felt awkward... Can't quite really explain, but something felt wrong. Was it cheesy? Was it too much of twirls of an animated sequence? Was the soundtrack not suited? I don't know... But I was sure that my eyes didn't like what they were seeing!

After that, I began to take notice of all that it was different and drawing my conclusions to ether or not these were justified.

Even though the movie is all spoken in English, the story settings remain the same. This lead to Fincher (or the producers) deciding to have the actors to do an effort on making a Swedish accent.

Although understandable, it just didn't work (for me at least).

I would rather move the action to somewhere in the States and change the characters names... But be it as it may, this was hardly the big issue around the movie..

There are a lot of plot changes, really big ones at that... Stuff that I can't mentioned to avoid giving away information... but trust me! Heavy stuff was either ignored or distorted!

If asked what was the biggest thing for me, to which I was more disappointed... I would have to say the casting, with special regard to the lead character, Lisbeth Salander.

Rooney Mara, who had worked previously with Fincher in The Social Network (2010), did a major effort to follow the steps of Noomi Rapace. Even with her performance being commendable, it was still just not at the same level as the Swedish actress, mostly because she presents a younger and more fragile image than Noomi, who on the other hand, shows herself more as a tougher woman.
Basically this point comes down to "Woman vs. Girl". That's not all of it, but it pretty much sums up one of the biggest differences you'll see when watching the new version and that just takes part of the interest. The viewers need Lisbeth Salander to be aggressive and fearless... capable of taking down anyone! And I'll be honest... I did not think of Mara as a model or anything like that. It was like she was completely anonymous and I was judging her performance without considering none of her background (therefore, no preconceived ideas before-hand).

I would say that most of you are better off watching the Swedish films if you can fight the language barrier and deal with the subtitles... because this American remake, to put it mildly, is is just a lighter and duller version.
I can only assume by seeing so many Swedish names in the list of producers that this movie was intended to promote their country and commerce through a wider recipient... You can tell that, for them, this is a golden opportunity.... Ikea, Nokia, SweAuto are just a few (Swedish) brands in a never-ending list of product placement.

Just so we are clear... You can still get satisfied with Fincher's work.... It's not bad at all...on the contrary! But having in mind the source material and the first movie adaptation, this one feels so overrated - even more considering the reviews and iMDB score are so good, something that for me doesn't do justice at all!

Shiny Things

2012-01-23T13:01:00.000Z

by: Fanfarlo

Hello...

2012-01-21T11:57:00.000Z

... Is it me you're looking for?

Beats, Rhymes & Life: The Travels of a Tribe Called Quest

2012-01-20T13:18:00.002Z

If you are a regular reader and you pay close attention, then you probably saw this post coming, since I've made at least one reference about the documentary Beats, Rhymes & Life: The Travels of a Tribe Called Quest (2011).

As the title properly indicates, it's about A Tribe Called Quest, one of the most influential musical groups of all time and a personal favorite of mine.

If at this point, you just frown as a reaction to what it seems like a bold statement, I can assure you it's not! They left a huge mark not only in the hip-hop (so what, so what's the...) scenario, but in music in general, hence this post stressing out how much everyone should watch this entertaining and highly educational documentary, directed and produced by actor Michael Rapaport, who, being a hard-core fan himself, decided to take the helms of this idea, paying a tribute and showing his love towards ATCQ.

The documentary portrays every single step of the way, from their upbringing and uprising into stardom... showing us along the way how Kamaal, Malik, Ali and Jarobi all came together in 1985 to do what they do best. Come up with the beats, the lyrics and melodies.. and just leave a trail of classic tracks and albums that still are appreciated as some of the best work ever to be done in the music business.

Their approach was fresh, innovative, immaculate and intelligent. While keeping the Afro-American essence, it still went the mile to "touch" other people regardless of their race, religion or creed. All of this, going against the stereotype to which Hip-Hop was (and still is) highly connected: "Gangsta Rap".

It is said: "All good things come to an end". Always thought that statement was outrageously ridiculous, but the matter of the fact is: Sometimes is true. This is a point to which this documentary enlightens the audience, as they explain to us the reasons that lead the group to separate in 1998 and show us they their most recent dismantlement while it was happening.
If you are a fan, it's almost like allowing yourself to get heartbroken... because you know what's heading your way... and try as you might to dodge it, there is nothing you can do about it!

So ... yeah... you face the facts and you acknowledge that there was little to be done. Phife and Q-Tip had their problems... and as a consequence it drove the band to dismantle... however... we can still feel grateful for that they have left us! Couldn't imagine myself pulling out of my iPod and not having that Q-Tip mellow voice, the high pitched Phife or kick-ass beats by Ali... and their range of collaborations?! C'mon! De La Soul, Jungle Brothers and Busta Rhymes (to name a few)...

I seriously recommend the documentary to those who enjoy good music and in particular hip-hop.

Teenage Riot

2012-01-19T12:14:00.000Z

by: Sonic Youth

Shame (2011)

2012-01-18T13:09:00.002Z

If only I had a pound for every time I wished I brought a notepad with me to the cinema...

It's so frustrating to have so many ideas, so many elements of comparison and details that you ~~want~~ need to write down, but you just can't! Sure you have your mobile phone, but between feeling bad about having the light on and trying to hit the right keys, you lose the rhythm and track of what's happening on screen.

After watching Shame (2011), Steve McQueen's second directional effort after the critically acclaimed Hunger (also with Michael Fassbender), I tried in the best of my ability to make mental notes and as I left the cinema, in complete awe and silence, I engaged a conversation with my friend not only to have a share of opinions, but also to keep "the material" fresh!

Too bad I couldn't keep it all together... especially in a case where I need to be extra careful with what I chose to write about. The reason is simple... Since I started writing in the blog, I always did an effort to be as generalist as I could and not give away any information that could be perceived as "spoilers". Matter of the fact is, regarding Shame, that can be very tricky, as I feel highly inclined into turning my guesses into firmed assumptions, and my firmed assumptions into certainties! I want not only to introduce the movie, but also talk about it... discuss it. Provoke you, the reader, into sharing your take on it. To lead you in to telling me what you think it's right or wrong.

I feel like I could go on and on about Shame, like I was writing a dissertation. It would be as close as I would get from writing one!

Never mind what the reviews say or some opinions that you have heard. Unless someone goes into exact detail, you can't ever be prepared for what's about to follow during that one hour and forty minutes of intense narrative. Like always, I can give away a few of the emotions the directing, cast or soundtrack have evoked on my part... but that only takes you so far!

From the get go, as we are introduced with the lead character, the sexual predator, Brandon and his daily routine, we see an extension of Patrick Bateman, a character created by Bret Easton Ellis that was made famous in the best seller (after adapted to a movie) called American Psycho. We sense there is some trouble in him... Some obsession(s) to which very soon you can point your finger at, only to realize afterwards we were just merely touching the surface!

Mid way through the movie, I actually thought this was indeed American Psycho, and Michael Fassbender was Christian Bale playing the role of Bateman.

It was almost like watching Mary Harron's take on the book, without the killing, the wit, the black humor or the pop-culture references. Obviously there's a lot more to it when it comes to comparing both films... But those were some of the immediate thoughts I had when thinking of the two of them.

The thing with Shame is that it felt more real, and consequence of that "reality" just brought on to your face, it became more disturbing! You start thinking of stuff you can't honestly say you dedicated some of your time to assess and make conclusions. Not to say you actually have time to do a great reflection upon the subjects during the course of the movie. So much going on and everything so intense, provocative and a lot of the times dirty! I mean... there comes a time or two in which it is actually filthy! But... it couldn't be any other way and Steve McQueen knows it. He knows it too well. There's a very thin line between what is actually needed to be done artistically/aesthetically or what is done just for the sake of shocking the audience and leaving a mark. This can also be a very valid argue. If I feel like saying, a minute of two could be taken off... immediately my conscious strikes back by saying: NO! That might ruin the entire thing! So just leave it as it is and make the best out of it. I'm sure that's what McQueen wants. I'm sure he knows what he is doing...

With exception of one particular scene (not to be revealed), I wouldn't change a thing of what he has done with this astonishing, yet disturbing, motion picture.

Going back on it, I lost my breath so many times... There were scenes in which I almost couldn't bear to look at the screen... but something kept me pulling rather than making me look away. I felt like I was in for the ride, no matter what and just surrendered myself for the entire session! Not that it was a sacrifice watching it. Not at all! But I won't lie and say it was a walk in the park... But if in the beginning I felt slightly teased, as it progressed I felt provoked and some times disgusted, for what I was seeing, but most of all for what I was thinking. I even went so far as relating this to another movie called Mysterious Skin (2004), directed by Greg Araki. This analogy probably came from the fact that Araki's work is also heavily graphic, dark and twisted. But just to outline one of the major differences, in Mysterious Skin, beyond all that chaos and misery I can actually find something beautiful and comforting, while in Shame I'm right where I started. I was left in the exact same position from when I began this trip, through Brandon's eyes! Outraged, sad and in utter despair, like I was sharing his curse, turned into shame!

This is a consequence of McQueen's superb vision and writing, but a lot must be said about Fassbender's tour de force, as he offers the viewer a candid and disturbingly intimate portrayal of a sex addict, being this just one of his (many) problems.

Carey Mulligan, doesn't let her get behind, as she also delivers a magnificent performance as Brandon's troubled sister. The love she nourishes for her brother is only overcome by her insecurity and "maybe" horrible past.
There is more to both the characters than meets the eye... even beneath the information that is given to the viewer, there is a lot more to those two damaged brothers!

Both the actors have made their recent role choices very wisely and they have been getting their hands in a lot of great projects... This particular one comes as probably being the best performance (from an individual standpoint) in some time!

Oh... and about the soundtrack?!

It's a mix of great classic themes, from Bach to John Coltrane, with Blondie and even a slow render of New York, New York, sang by Carey Mulligan. But it's the memorable score by the movie's composer, Harry Escott, that steals the show (musically speaking). One theme only was enough to bring powerful emotions and make some scenes look unforgettable.

So much more to be said... so much left to be written, but I must admit I'm feeling exhausted. The film was enough to drain me mentality, so be aware that this post was actually a struggle on both ends. Needed to recover from what I just saw in order to do some proper writing, but also needed to do it right away, otherwise would be taking the risk of compromising part of the essence that needed to be described.

In conclusion, I just want to make the following suggestion:

Make sure you see Shame in the cinema with someone that is close to you, so both can talk about it later and dissect every single aspect that has either impressed or repugnant you. But don't think of it as an exercise but as a way of "getting it out of your system".

I assure you, you will want and need to do so...

Such a cool tradition!

2012-01-17T11:28:00.000Z

Detachment - Trailer

2012-01-16T13:12:00.001Z

I see movie trailers almost every day! Some look good, others look average... The bad ones I can almost avoid just by looking at them.

Within this world of trailers, just a short compilation of images that are able to tell part of the story, some times you get a trailer that talks to you in a different manner... From time to time, you get something that moves you in such a way, you just know for sure something is special!

Obviously this isn't something for you to take for granted. I remember watching the Peaceful Warrior (2006) trailer a few years ago, and just being completely blown away. The movie ended up being a great disappointed...

"Never judge a book by it's cover", something that I always heard and I try to pass along. But every so often, especially in movies, the combination of certain attributes and facts enables you to take a risk or a wild guess if you may, and predict the outcome for a lot of projects.

That's what happened with Detachment. As I saw various familiar faces on screen, being one of them Adrien Brody in sort of an essence that took me back to his performance in The Pianist (2002), I let myself be carried away by the intense drama, driven by the hands, of what I ended up finding out, of Tony Kaye, director of American History X (1998), one of my favorite movies!

Alongside with Mr. Brody, you have the likes of Marcia Gay Harden, Christina Hendricks, Bryan Cranston, Tim Blake Nelson, Lucy Liu, Blythe Danner and James Caan.

More than enough reasons for me to make a gamble and say this will be one of the best things that 2012 has to offer...

... I really do hope I'm right!

If it's W.A it must be good

2012-01-15T11:45:00.000Z

Upcoming movie directed by Wes Anderson, Moonrise Kingdom looks promising! If the director alone is a good reason for the audience to wait in anticipation, then the cast just makes you be in the verge of a nervous meltdown! Bruce Willis, Edward Norton, Bill Murray, Tilda Swinton, Frances Mcdormand, Jason Schwartzman and Harvey Keitel combined with W.A is a guaranteed formula for success!

Be sure to catch it in May 2012

ENUI MAG - O Melhor Funeral de Todos os Tempos

2012-01-13T18:23:00.001Z

O meu ultimo artigo sobre o lançamento do trailer para Shut Up and Play The Hits, aqui!

Shut Up and Play The Hits

2012-01-12T15:16:00.000Z

While I was watching this video, I couldn't help myself not feeling a big chill down my spine!

It his without a doubt one of the most influential bands of my generation, one that unfortunately I wasn't able to see live! Maybe I took them for granted... I don't know. I just know it will be one of the biggest regrets of my life not taking the chance to see them when I had it.

Nevertheless, can't really complain. I was able to witness their beginning and end... and between that I listen and danced to a whole lotta great tracks!

Please continue to pay your respects, as we still morn the "death" of LCD Soundsystem...
Enjoy one of the most celebrated and anticipated funerals...

One that certainly will be remembered for ages...

... Live ...

... at Madison Square Garden, New York!

Gettysburg

2012-01-11T12:23:00.000Z

by: Ratatat

Be Good or Be Gone

2012-01-10T15:13:00.000Z

by: Fionn Regan

The Power of Words

2012-01-09T14:49:00.000Z

Happiness

2012-01-08T09:58:00.000Z

by: Jónsi & Alex (formerly known as "Riceboy Sleeps")

Taken from the album Dark Was The Night (2009)

It's really hard to put into words how this song makes me feel... On one hand it can be very sad and evoke a dark and twisted side, while on the other hand, it can serve as an inspirational track. An uplifting melody, strong enought to move you on to making great accomplisments... to go the extra mile and achieve extraordinary things. It has a lot of that "motivational side" I guess...

It would certainly be apart of any movie soundtrack I would make, thanks to it's ability to easily be integrated in any scene! It has a big cinematographic component, I say! Therefore, making its way through many other wonderful tracks on Dark Was The Night and standing as one of my favourites of the indie album!

Road To The Oscars

2012-01-06T16:36:00.002Z

Odessa

2012-01-06T14:29:00.000Z

by: Caribou

I'm Confused

2012-01-05T13:02:00.000Z

by: Handsome Furs

Renegades of Funk

2012-01-04T11:36:00.000Z

by: Rage Against The Machine

Twenty Questions

2012-01-03T11:43:00.000Z

by: Beastie Boys

Beastie Boys giving it Brazil style...

(Bossa Nova can never go wrong!)

2011 Filmography

2012-01-02T11:21:00.000Z

A far better video than the one I recently posted here

Best of 2011 - From my perspective

2012-01-01T15:09:00.001Z

So, we have reached that time of the year... The time were people make lists with various different tops!

Some make their top photos and videos... others their favourite moments on screen... while others do their top albums and movies!

Since I'm a big cinema and music fan, it's only natural that I would focus on those two areas to compile my Top 10 of 2011. Therefore I will present you a list, based on my own personal taste...

Be aware that there are many films and albums that I hadn't had the opportunity to watch/listen... Due to lack of time, but also because certain candidates aren't still available in my region. So don't assume this list is my absolute final take on what was good during this past year. This list comes more as a recommendation of some sort, distinguishing the movies I enjoyed more watching, rather than saying "These are the best ones. end of Discussion." You can either agree or agree to disagree...

Nonetheless I hope you enjoy the list and if you haven't seen or listen some of my suggestions... give it a try and then let me know your thoughts!

TOP 10 MOVIES
(without a specific order, except for the first three)

1. Drive
2. Warrior
3. 50/50

* La Piel Que Habito (The Skin I Live In)
* Jodaeiye Nader az Simin (A Separation)
* Win, Win
* We Need to Talk About Kevin
* Midnight in Paris
* X-Men: First Class
* Ides of March
* Bridesmaids

TOP 10 ALBUMS
(without a specific order, except for the first three)

1. Bon Iver - Bon Iver
2. Fleet Foxes - Helplessness Blues
3. M83 - Hurry Up, We're Dreaming

* Bombay Bicycle Club - A Different Kind of Fix
* The Drums - Portamento
* Clap Your Hands Say Yeah - Hysterical
* Wilco - Born Alone
* Metronomy - The English Riviera
* The Black Keys - El Camino
* Kurt Vile - Smoke Ring For My Halo

2011, Buh Bye

2011-12-31T16:47:00.002Z

What Are You Doing New Years Eve?

2011-12-31T11:24:00.000Z

by Zooey Deschanel and Joseph Gordon-Levitt

All The Children

2011-12-30T11:38:00.000Z

by: Stanley Jordan

Win, Win (2011)

2011-12-29T11:48:00.001Z

Without extending myself too much and getting into a more personal opinion, I would just like to bring to people's attention this indie feature called Win, Win (2011).

It is another sensational effort by Thomas McCarthy, who after directing The Station Agent (2003) and The Visitor (2007), is still capable of reaching out to the audience with amazingly genuine and beautiful films.

Paul Giamatti leads a cast of other amazing actors such as Amy Ryan, Bobby Cannavale (with whom McCarthy worked before in The Station Agent), Jeffrey Tambor, (the sort of "resurrected") Burt Young and the newcomer Alex Shaffer.

The trailer alone is enough to get you with a shiver down your spine. It's a big challenge not to like a movie such as this!

One of my picks for the upcoming top 10 list of 2011!

I would also like to take this opportunities to share with you a song by The National (called Think You Can Wait) which was included on the movie's soundtrack. The video assembles some "behind the scenes" footage of Win, Win which - in my opinion - was nicely done to fit the music's persona!

A pele que há em mim (Quando o dia entardeceu)

2011-12-28T12:01:00.000Z

by: Márcia e JP Simoes

(Márcia)

Quando o dia entardeceu
E o teu corpo tocou
Num recanto do meu
Uma dança acordou
E o sol apareceu
De gigante ficou
Num instante apagou
O sereno do céu

E a calma a aguardar lugar em mim
O desejo a contar segundo o fim.
Foi num ar que te deu
E o teu canto mudou
E o teu corpo do meu
Uma trança arrancou
O sangue arrefeceu
E o meu pé aterrou
Minha voz sussurrou
O meu sonho morreu

Dá-me o mar, o meu rio, minha calçada.
Dá-me o quarto vazio da minha casa
Vou deixar-te no fio da tua fala.
Sobre a pele que há em mim
Tu não sabes nada.

(JP Simões)
Quando o amor se acabou
E o meu corpo esqueceu o caminho onde andou
Nos recantos do teu
E o luar se apagou
E a noite emudeceu
O frio fundo do céu
Foi descendo e ficou

Mas a mágoa não mora mais em mim
Já passou, desgastei, p’ra lá do fim
É preciso partir
É o preço do amor
P’ra voltar a viver

Já nem sinto o sabor
A suor e pavor
Do teu colo a ferver
Do teu sangue de flor
Já não quero saber…

(Márcia e JP Simões)
Dá-me o mar, o meu rio, a minha estrada,
O meu barco vazio na madrugada
Vou-te deixar-te no frio da tua fala
Na vertigem da voz quando enfim se cala.

Nobody does it like the NBA!

2011-12-27T13:03:00.000Z

2011 Christmas promo

Moneyball (2011)

2011-12-26T11:40:00.004Z

I don't get it! I really don't!

Why has there been so much hype around Bennett Miller's Moneyball (2011)? Why have been people hailing it as one of 2011 films?

I've seen a few top 10 lists of some renowned critics and the baseball themed movie is featured in most of them as part of the highest five!

Really?

I mean... Don't get me wrong! I just saw Moneyball and though it was great! Had great fun watching it and got to learn a lot from it! More interesting stories, background on the sport and trivia information... But I was not even close to sharing the same admiration as most viewers, be it a regular person, a movie buff or a film critic! Maybe I'm out of touch with baseball, as I don't follow it that much... Maybe the hype was too much for me to bear, making it a bigger challenge to the "Oakland A's" (team in which the plot centers) to live up to the expectations that I created, most to the media's influence (and by that I include everything from TV, newspapers, billboards, blogs).

I'm sincerely afraid of tearing down the movie when it's not my intention! At all! I just believe it's not that good enough, considering the massive praise it has been given!

Brad Pitt is good, but Oscar material? Never! (But he's sure to be nominated, I guarantee)

Jonah Hill... the same! And this is actually quite a compliment, just because I wasn't expecting Hill to be qualified for this type of solid acting in a movie of this genre!

Philip Seymour Hoffman... is just completely redundant in this one! Something that comes as a sort of a shock to me since I'm not quite used seeing him in a position where his contribute is almost oblivious to rest of the outline. The guy usually leaves his mark... not the case here!

As for the rest of the cast... all important to Moneyball, but just plain average!

The script is good - another excellent effort by Steven Zaillian and Aaron Sorkin - being probably the best thing about the movie... alongside with Miller's direction that made Moneyball both entertaining and insightful like a documentary! That's how I felt most of the times... Like I was watching a documentary portraying how Billy Beane changed the course of the game with his fresh perspective and (risky) new methods!

All I can ask is for you to see it, enjoy it and draw your own conclusions! If you end up thinking like me... don't let it surprise you!

Taken from one of the best albums of the year...

2011-12-25T16:29:00.000Z

... I give you:

One Sunday Morning (Song for Jane Smiley's Boyfriend)

by: Wilco

ENUI Mag: She & Him dizem "Ho, Ho, Ho"

2011-12-24T20:46:00.000Z

O meu ultimo artigo para a revista online ENUI sobre o álbum Natalício dos She & Him... aqui!

Best Christmas video EVER!

2011-12-24T13:28:00.000Z

Merry F*Cking Christmas

Warrior (2011)

2011-12-23T13:06:00.001Z

Warrior (2011) is a critically acclaimed action-drama directed by Gavin O'Connor starring Tom Hardy, Joel Edgerton and Nick Nolte.

Having met the director through the movie Pride & Glory (2008), I must admit I was a bit reluctant due to the fact that I was expecting great things from his 2008 project, with lead actors Edward Norton and Colin Farrel, only to be hugely disappointed. However, even without reading the reviews - thus avoiding getting a sense of what to expect - I knew the response towards Warrior was good!

After watching it two nights ago, it came as no surprise! It's absolutely brilliant and unless something comes up during the remaining days of 2011, Warrior will certainly make its way into this year's podium (my personal one, that is)!

First of all, let me start by advising people to watch this movie with an open mind and to put aside the fact that its around the martial art world.

Forget that!

The first thing I wrote on the social networks was that "more than a good fighting movie, this is a great movie. Period." It truly is an outstanding piece of work that uses, what you would say, an action plot to present the audience a more human and emotional storytelling around two estranged brothers and their father. Between these three, you divide one story into various sub-plots, focusing on the relationship between each others and their individual background outside their family history.

Obviously, you have plenty of (excellent) fighting sequences, but the way it gets you involved with the characters is absolutely remarkable. By witnessing their damaged relationships and how they make emends into reconstructing their family ties, while struggling with their past and (also) present, its just amazing! In fact, while I'm writing this, one of the first compliments that pops into mind is that the movie has a lot of heart! It really does!

Get past the fact it has a few cliches... To certain extant, I would think its fair to say it comes with the territory when you approach a movie of this genre. You might feel like you have seen this before... But think again! It makes you twist and turn, it makes you hold your breath and react to every single fight, gesture or dialog! Even considering you know almost every outcome, at least until the very end which is totally unpredictable... you still can't avoid being disturbed sometimes while experiencing the pain and suffering on-screen or in other times just getting a big kick out of it!

That's what happens when you feel the plot is somehow close to your heart in terms of the emotions that it can bring out from you... It also helps to have very nicely built characters for you to feel for, but, there is something it needs to be said (under my perspective) in terms of how you appreciate both leads.

Prestigious movie critic, Roger Ebert wrote:
"This is a rare fight movie in which we don't want to see either fighter lose".

Although I'm slightly inclined to agreeing with this because I'm very fond of both Tom and Joel's characters, the fact is, from the get go I stood alongside with Brandon (Edgerton), simply because he came out as a standout guy who demonstrates to be the more likable and emotionally balanced of both of them. Put into the mix the fact he's considered to be the underdog and you have my reasons for taking his side and rooting for him. But yes... I would probably say that, whatever the outcome might be, its bound to please the audience!

Between all three of the actors that deserve the most recognition... let me raise a few points or make a few predictions.

Tom Hardy is easily becoming one of Hollywood's brightest stars! Since he took over the role of Bronson, the legendary British prisoner, in Nicolas Winding Refn movie, he then started gaining more attention moving on into having roles in other films such as RockNRolla (2008), Inception (2010), Tinker Taylor Tiny Soldier (2011) or the upcoming Dark Knight Rises (to be released in 2012).
Fantastic method acting, with great presence and charisma, he's turning into a crowd favorite!

Joel Edgerton, I know very little about... Having seen only one of his movies it would be insufficient to make a clear and credible evaluation of his career and skills... But the movie that I saw was no ordinary one! Animal Kingdom (2009) came for me as one of the year's best and gain a spot among my elite collection of DVDs!
Joel Edgerton will increase his star power over the years...

Last, but not least... Nick Nolte!

He came to me as a big surprise since I wasn't expecting him to give such a powerful performance. His acting was absolutely superb, having most of the moving/intense scenes under his command!
Portraying an alcoholic trying hard to overcome his addictions while fighting ghosts living in his conscious, you can not help yourself into sympathizing with him and wishing that he obtains forgiveness from the ones he loves.
Having been let known by the director that he carries a dark past, you still sense he genuinely regrets the mistakes he made both as a Husband and a Father!

Come to think about some of the scenes that gave him more prominence in this feature, the ones where he shares the screen with each of his sons are clearly the most remarkable. This lead me to think I have a soft spot for Father/Son moments, since some of the most mesmerizing moments in cinema - according to my taste/opinion - are family related. Robert Downey Jr. and Chazz Palminteri in A Guide To Recognizing Your Saints (2006) and Tom Cruise with Jason Robards in Magnolia (1999) are just two (epic) examples of what I'm talking about!

Regarding my predictions around Nolte, I believe he will gain an Oscar nomination for his incredible role! I know this might come as a risky statement since he wasn't nominated for a Golden Globe, but nevertheless, the Academy will surely recognize his work, fully deserving of the highest praise, specially considering some of us (me included) thought his career had no possible comeback! I have no shame admitting this proved me to be incredibly wrong...
I will become terribly disappointed if a spot among the nominees isn't granted to Nick Nolte, something that will eventually will lead me to think that Jury are simply ignorant and blunt!

Having said this, I would like to conclude by reminding all of you to keep in mind the subjects that the film focuses on! Through action (more specifically Martial Arts) you get really deep into themes such as redemption, forgiveness and will power! I could not be more supportive with this truly magnificent feature, that has just set the bar for the action-drama genre!

First Love

2011-12-22T11:51:00.000Z

by: The Maccabees

First love, Last love
Only love, it's only love...

Yann Tiersen Live @ Black Sessions

2011-12-21T13:44:00.001Z

I wrote on this blog about the Black Sessions, a popular radio show that came to life in France by the hands of Bernard Lenoir, thus the name "Black" Sessions, as a clear reference to its creators name Lenoir (which is "The Black" in french)!

This musical segment is mostly dedicated to indie music and has gain a major cult following around the world. It has gathered in their studios artists in the likes of Clap Your Hands Say Yeah, Bloc Party, Au Revoir Simone, Radiohead, Arcade Fire, Andrew Bird, Arctic Monkeys, Beirut, Belle & Sebastian, The Cure, Los Campesinos !, Editors, Feist, Franz Ferdinand, The Eels, The National, The Shins, Nick Cave, Smashing Pumpkins,Interpol, Jeff Buckley, Joseph Arthur, Patrick Watson, REM, Yo La Tengo, among many others...

I want to leave you with Yann Tiersen's performance! Not just with a song, but the entire live act!
Fortunately someone posted the entire thing online... and I'm not just referring to the audio tracks. It actually is the video compilation shot at the scene!

Hope you can enjoy as much as I did when I first heard it on my iPod!

They're back...

2011-12-20T11:26:00.000Z

... and this time it's personal!

The Expandables II

Get Low (2009)

2011-12-19T11:53:00.001Z

It took me ages to get my hands on the movie Get Low (2009), but finally I made it!

It's an independent production, one that went through a long time without major advertising... only spreading its name across mostly due to its involvement on Sundance Festival! I found out of its existence after reading an article on RottenTomatoes making a list of indie movies that were soon to get out. Get Low and Hesher were the two ones to draw more of my attention, mostly because of their cast to which I'm very fond of!

Focusing more on Get Low, it stars Robert Duvall, Bill Murray, Lucas Black and Sissy Spacek. Out of those four names, three I consider to be major legends in the industry!

But it wasn't only the actors who justified watching this movie... The plot was also crucial in my decision!

Basically - and avoiding giving away many details - the story revolves around a man called Felix Bush (Robert Duvall), a man who people tell the most crazy stories about, stories that portray him almost like the devil himself. However, Felix has been very discrete has he's been living isolated in a cabin for over 40 years. He then decides to leave his cabin and show his face in public only so that he can arrange his own funeral!

Yes... his own funeral! And this while he his still alive!

"It's time for me to get low" he says.

And who better than Bill Murray to arrange that? It's interesting, as well as moving and with an incredibly brilliant performance from Mr. Duvall, that should have been recognized at least with an Oscar nomination! It's that good, trust me!

Be sure to catch this... It would be part of my 2009 list in case I had seen it in time!

Genious (again) at Work

2011-12-18T18:27:00.000Z

Sacha Baron Cohen

in...

The Dictator

Coming Soon

2011 in Movie Trailers

2011-12-17T13:20:00.000Z

A fan video containing loads of different movie trailers. Don't know the criterion... If it's the editors favourites or not... Still... it's something nice to watch!

New York, New York (Medley)

2011-12-16T11:47:00.001Z

The other day I was on the tube, listening to my iPod. At the time I was playing a live gig performed by the iconic crooner, Mel Torme alongside with Jazz pianist George Shearing. I've been a fan for some time now

of both these musical legends, mostly due to my father's influence who also loves Mel Torme... calling him the best scat performer of all time!

When almost reaching the end of his live performance, Mel Torme addressed the audience to introduce the upcoming tune... Can't remember if in fact I was highly concentrated listening to the album or if I was distracted doing some other stuff on my iPhone or what not, but the matter of fact is that something caught my attention... I was hanging on every word of Mr. Torme and without expecting... he provoked me to a huge outburst of laughter, making everyone around me to think that I was crazy!

Trying to control myself, out of instinct I covered my mouth with my hand, knowing if I continued to laugh in that way, I would draw to much attention!

It was really one of those funny moments that I'll carry with me throughout time!

Listen the track below to get a sense of what I'm talking about! One of the great acts of Mel Torme that shows not only how much good of a singer he is, but also how increndibly entertaining he can be! A true artist and one of the best performers all around to set foot on stage!

by: Mel Torme and George Shearing

Talk Show Host

2011-12-15T11:20:00.000Z

by: Radiohead

ENUI MAG - James "Sobrevalorizado" Blake

2011-12-14T17:52:00.000Z

O meu ultimo artigo para a revista online ENUI sobre James Blake... aqui!

Days Gone Down (Still Got The Light In Your Eyes)

2011-12-14T16:46:00.000Z

by: Gerry Rafferty

Hip-Hop Week: Can I Get a ...

2011-12-10T10:30:00.000Z

by: Jay-Z, Ja Rule and Amil

Hip-Hop Week: What You Want

2011-12-09T16:53:00.000Z

by: Puff Daddy

(from the time when he was actually called Puff Daddy)

Hip-Hop Week: Invincible

2011-12-08T09:58:00.000Z

by: Capone-N-Noreaga

Hip-Hop Week: Make You Feel That Way

2011-12-07T09:10:00.000Z

by: Blackalicious

Hip-Hop Week: Kids in da PJ's

2011-12-06T09:57:00.001Z

by: Nas, The Bravehearts and Millennium Thug

Taken from a colaborative project named: QB's Finest

Hip-Hop Week: Karma Hotel

2011-12-05T10:02:00.001Z

by: The Spooks

Hurricane

2011-12-03T12:09:00.000Z

by: Elevator to Hell

ENUI Mag - 50/50: A Banda-Sonora

2011-12-02T15:34:00.000Z

O meu ultimo artigo, aqui!

Bears

2011-12-02T11:10:00.000Z

by: Pete and The Pirates

(Loving more this album for every time I listen to it)

Basketball: The Crossover from the Creators

2011-12-01T10:24:00.000Z

Para além do bronze

2011-11-30T16:13:00.000Z

by: Aquaparque

50/50 (2011)

2011-11-29T09:52:00.001Z

Such a great movie!

Don't even know how or where to start, however, I will try to begin this post by approaching it's genre...

50/50 (2011), directed by Jonathan Levine and based on it's own script writer’s life experience (Will Reiser) is a movie that presents itself as having the best of two worlds, due to the ability of fitting well in a sub-genre known as "dramedy"- which, as you can probably tell by it's name, its a mix between both drama and comedy!

It approaches a very sensitive subject in a humorous way with plenty of funny dialogues or hilarious moments, something that easily covers the intense nature of the leading character's problem: His cancer illness!

Joseph Gordon-Levitt portrays Adam Lerner, a 27 year old man who finds out that he has cancer. While receiving the news from his doctor, he becomes first shocked and then numb. His first reaction is with great surprise because, as he says, he "doesn't smoke, doesn't drink" and even "recycles".

This is, in my opinion, a key dialogue on making people aware that such situations don't only occur to others or at the very least, to people who enjoy a more alternative or unhealthy lifestyle. It doesn't pick age, race or creed... It's something that could happen to anyone, at any time!

As the movie's narrative progresses, we see Adam and the people around him make big adjustments in their lives, most of these with the purpose of making it easier to deal with Adam's illness, something that himself from the outside, seems to take lightly or with no seeming care, but from within, you can tell he's almost out-bursting with a lot of different emotions.

In some ways, even though it's hard for someone to imagine what it feels like, it's hard not to try and put yourself in Adam's shoes. You always get the sense that if it was you, you would experience that situation almost in the same way. First through a stage of denial, coming eventually to a phase in which you succumb to what's really happening, driving you to react abruptly... While the lead actor struggles to deal with his condition and at the same time with the consequences that derivate from that (his break-up and his Mom reaction), the audience tries to find comfort in the laughter provoking scenes!

It's hard to tell which genre comes out stronger... if comedy or drama...

Seth Rogen takes care of most of the funny bits with his rude, but honest portrayal of Adam's best friend, while most of the moving moments come by the hand of Gordon-Levitt, but also Anjelica Huston. She gives a very good performance as Adam's mother, who by nature is very protective and seemingly always worried. I think you get on her side from the beginning as you realize she also takes care of her husband who has alzheimer's disease. She looks out for him without any kind of help, something that she doesn't ask for, but instead prefers her son to give her some attention, as any mother would like to hear and be heard by her son!

Afraid that she would freak out and get "all Mom" with him, he only tells her about his condition a few days later and avoids keeping in touch with her. Much to his own selfishness, he makes it hard on the one person who didn't deserve that sort of treatment... realizing after, that in certain times, other people have been victims as well and obviously coming to the conclusion that cancer hasn't only brought grief and troubles to him, but also to those who love him!

For many this might not be the core relationship of the movie... Obviously Rogen and Gordon-Levitt partnership assume most of the movies expenses, but I have to say the Mother/Son scenes were definitely the ones who brought me closer to myself, as I related Anjelica Huston's character to my own Mother, for the love she feels towards me, for the times that I might have neglected her needs of attention and for her everyday struggles that inspire me on becoming a better man. In all fairness, it comes as obvious to me that its the same between Adam and his Mother.

Won't get more personal than this, but felt like I had to justify why those particular scenes standout in a feature made of many more excellent moments.

Also worth mentioning:
- Rachel, the girlfriend, soon to turn Ex (this isn't qualified as a spoiler since it's obvious by the trailer) played by Bryce Dallas Howard, a very talented actress, that I consider to be underrated!

- The young and inexperienced therapist Katie McKay, portrayed by Anna Kendrick. She takes part in some pure sweet moments and, sometimes, awkward - but funny - situations.

- Philip Baker Hall, a veteran actor with loads of great movies under his belt, who portrays Alan, an old man with cancer that Adam meets at the hospital during his chemotherapy sessions. Baker Hall adds up to the comedy formula, being almost an elderly version of Seth Rogen's Kyle.

- The soundtrack! Not a perfect one according to my personal taste, but I got to say... the tracks smoothly suited every scene to which they were demanded to step in and work it out! Loved especially the song for the opening and ending scene!
Overall, the movie is bound to be an Oscar candidate this year! An outstanding script, top notch performances and good directing say so... and so does the audience and critics worldwide!

Be sure to watch it on the cinema!

House

2011-11-28T09:30:00.000Z

by: Dems

Eis a solução: BENFICA

2011-11-26T12:12:00.000Z

Canadians vs Americans

2011-11-25T11:42:00.000Z

Once (2006)

2011-11-24T12:12:00.000Z

A few years ago (can't really remember when exactly), I was sitting in my living room watching The Tonight Show with Jay Leno. If I recall correctly, the show wasn't being that entertaining but something made me watch it until the very end.

When approaching it's final minutes, it came down to the "usual" guest musical act...

Already on stage, a duo that was unknown to me at the time, would instantly grow to be a major revelation!
After Leno introduced both man and woman, who's names I did not memorize, they started to play their music making use of a piano and acoustic guitar. Soon I realized that enduring that specific episode, without having a clear reason to do so, actually paid off!

As the first keys of the piano made their presence felt, the guitar gave it the right pace and rhythm, and we were off in a musical trip, floating through this enchanting and at the same time, suffering voice, of a middle-age Irish man!

The song is all about experiencing love in all of it's forms and dimensions, in my opinion, avoiding the clichés (even though it's highly commercial).

Swell Season - Falling Slowly (live) from Duarte Mendonca on Vimeo.

With the end of the show, I did my homework on finding out who they were and how could I get my hands on that Leno episode. Unfortunately there wasn't anything available on YouTube, due to NBC's copyright policy, however, I was able to get a copy of that show, under means that I will not disclose.
Meanwhile, while everything was looking great for me to advertise this particular musical piece, my hard disk managed to get damaged... and the way that I got the file in the first place, wasn't available any more. So, years went by and I never saw that specific performance again!

That doesn't mean I stopped doing some research and listening to some of their work...

Turns out Glen Hansard and Marketa Irglova (those are their names) are known as The Swell Season, a musical project that gained more attention after the Irish and Czech collaborated in a movie called Once (2006).

With the movie "came" their most famous single, Falling Slowly (an Oscar winner for best song), Hansard's creation with another group called The Frames, that was reinstituted to The Swell Season under new and improved arrangements, going mostly over changes which gave prominence to Irglova's piano and backing vocals. It was only then when that track started to win a great deal of popularity...

Unfortunately there is not much more that I can say, due to little information available online, but let that no stop you of getting to learn more about them and especially on getting acquainted with the movie, which is a wonderful piece of indie musical art. Even thought the leads are not professional actors, they managed to convince audiences worldwide of their passion for music and their love for each other, bringing out the most sincere and warm-felt emotions.

You actually get involved with both characters, who struggle to achieve their goal on pursuing a career in music.

From it's opening scene, to the first time the leads share the same scene together, to its very end... everything looks like it was made with a lot of heart and depth!

I tell you...When the introduction generic showed up with the name of the feature and Glen Hansard was pouring out his soul with such passion - almost looking like rage and despair - it was a sign that I was in for something great!

Once movie scene - Glen Hansard in the streets from Duarte Mendonca on Vimeo.

With an award-winning soundtrack, Once will go beyond it's musical offers, and indulge in a story about friendship, sacrifice and going after your dreams.

ENUI MAG - Comemoração dos 40 anos do Cascais Jazz

2011-11-23T11:20:00.000Z

Para a minha ultima contribuição para a revista online ENUI, cliquem aqui!

Rampart - trailer

2011-11-22T11:36:00.000Z

Looks brilliant!!

Apple Trailers Synopsis:

Los Angeles, 1999. Officer Dave Brown (two-time Academy Award(R) nominee Woody Harrelson) is a Vietnam vet and a Rampart Precinct cop, dedicated to doing "the people's dirty work" and asserting his own code of justice, often blurring the lines between right and wrong to maintain his action-hero state of mind. When he gets caught on tape beating a suspect, he finds himself in a personal and emotional downward spiral as the consequences of his past sins and his refusal to change his ways in light of a department-wide corruption scandal seal his fate. Brown internalizes his fear, anguish and paranoia as his world, complete with two ex-wives who are sisters, two daughters, an ageing mentor dispensing bad advice, investigators galore, and a series of seemingly random women, starts making less and less sense. In the end, what is left is a human being stripped of all his pretence, machismo, chauvinism, arrogance, sexism, homophobia, racism, aggression, misanthropy; but is it enough to redeem him as a man?

Lúppulagið

2011-11-21T12:52:00.001Z

by: Sigur Rós

Taken from the new documentary Inni (2011)

To Be Cool like...

2011-11-20T11:44:00.000Z

... Steve McQueen

... James Dean

... Marlon Brando

... Paul Newman

Root Down

2011-11-18T10:37:00.002Z

by: Beastie Boys

Latest that I saw in the Cinema...

2011-11-17T11:05:00.001Z

... that I recommend!

The Adventures of Tintin (2011)

Already left my comment on a previous post, but it doesn't harm to say it again: Visually Perfect!

We Need To Talk About Kevin (2011)

Impressive performances from Tilda Swinton and - a surprising - Ezra Miller, a young kid with a bright future!

This movie stroke me as a horror flick without being graphic. On a physiological level, it is very dark and intense. Aesthetically it is rich and superbly well executed, like it was directly pulled out from the book of which it was based upon.

Ides of March (2011)

A great ensemble cast lead by one of Hollywood's hottest stars, Ryan Gosling, in another fantastic directorial effort by George Clooney. Don't miss it!

SNL: Adele - Someone Like You (sketch)

2011-11-16T09:44:00.001Z

ENUI MAG - DeVotchKa

2011-11-15T16:45:00.000Z

Para os que nao sabem, bem recentemente comecei a contribuir para um site de moda, projeto este levado a cabo por alguns amigos meus, entre os quais consta a Ana Rosado, minha antiga colega de curso na Universidade Católica e Colégio Amor de Deus.

A Ana, vocacionada para este meio que é a Fashion Industry e o jornalismo, lidera um grupo de jovens autores, com formação nas mais diversas áreas de forma a acrescentar diversidade e alguma disparidade no conteúdo.

Com já alguns artigos em exibição (WWPJ, Yann Tiersen, entre outros) a partir de hoje farei essa mesma partilha dos meus trabalhos pela EnuiMag aqui no blog.

Cliquem aqui para terem acesso ao mais recente sobre o grupo DeVotchKa

Hold your grandmother's bible to your breast
Gonna put it to the test
You wanted to be blessed

And in your heart you know it to be true
You know what you gotta do
They all depend on you

And you already know
Yeah, you already know how this will end

There is no escape from the slave catcher's songs
For all of the loved ones gone
Forever's not so long

And in your soul they poked a million holes
But you never let em show
Come on, it's time to go

And you already know
Yeah, you already know how this will end

Now you've seen his face
And you know that there's a place in the sun
For all that you've done
For you and your children

No longer shall you need
You always wanted to believe
Just ask and you'll receive
Beyond your wildest dreams

And you already know
Yeah, you already know how this will end

Cradle

2011-11-14T14:47:00.002Z

by: Joy Formidable

Demora

2011-11-13T18:42:00.001Z

This is again one of those times in which most of the post will be written in Portuguese. This time for two different reasons:

1º Since the short movie is spoken in Portuguese, I doubt that foreigners who read the blog will have any interest on this.

2º Because I want to write this post like I was sending it as a message to a very close friend of mine, who plays a part in this project. So basically, by writing in our language, makes it seem more personal.

Durante muitos anos tenho acompanhado a carreira do Luís Filipe D'Almeida, nome que assumiu como seu cartão de visita, mas que apesar de tudo, permanece eternamente conhecido entre os amigos (especialmente os mais chegados) por Eusébio.

Por entre todos os projectos em que esteve envolvido, fosse teatro ou televisão, procurei sempre ser o mais critico possível, fazendo referência ao positivo mas em algumas alturas dando maior ênfase ao negativo porque é isso que o Luís muitas vezes quer ouvir! Sendo a boa pessoa que é e exigente consigo mesmo, apesar de dar imenso valor aos elogios, sempre procurou ouvir e analisar os aspectos que as pessoas insistem que tem que trabalhar mais.

Muitas foram as coisas boas que apanhei e em tantas outras ocasiões, as coisas más... embora diga muito sinceramente, que era frequente o ver envolvido em projectos de baixo calibre, mas onde ele era sempre o elemento de destaque a meu ver! Certo que a minha opinião pode ser suspeita, com muitos acusando-me de não ser totalmente imparcial dada a minha proximidade com ele... mas quem me conhece sabe que sou por vezes implacavelmente duro, particularmente com aqueles que gosto... pois mais que ninguém merecem a verdade, ou no mínimo, a minha opinião sincera!

Seja como for... estando eu a falar dos seus inúmeros projectos (bons e maus), posso afirmar aqui que este foi sem dúvida aquele que mais me agradou em bastante tempo! Tendo em conta que esta curta-metragem foi feita em apenas 48 horas (para um festival/concurso que exigia - naturalmente - os filmes em dois dias) o resultado final é facilmente condecorado com mérito pela forma como foi filmado (esteticamente está fabuloso com destaque para os contrastes de luz e grande parte das cenas na estação de comboios) e com um argumento sólido, que por muito usado e gasto que seja, em poucas palavras procura contribuir com uma mensagem de alguma subsistência.

No entanto, na minha humilde opinião, a prestação do nosso menino Luís Eusébio é claramente um elemento acima de tudo o resto. Obviamente, tenho plena consciência que grande parte do seu sucesso não seria possível sem intervenção das actrizes com quem partilha a tela e todos os outros elementos cinematográficos (onde incluo igualmente a banda-sonora que acompanha a cena final, capaz de dar maior emotividade à poderosa frase proferida nos instantes finais), mas dou-lhe bastante mérito sabendo sem qualquer tipo de dúvidas, que mesmo no pouco tempo presencial à frente da câmara, foi capaz de dar um contributo de grande magnitude. A forma como eu reagi perto do fim é claro sinal do quão bom foi o nível de expressão... fosse no tom e colocação que emprega nos seus diálogos ou na linguagem gestual/facial, tão genuinamente sentida que torna fácil ao espectador de testemunhar todo o desenlace com interesse.

Ciente estou que que toda esta conversa provavelmente vos está a cansar e que eventualmente possa estar a colocar as expectativas bastante altas... aumentando assim o risco de desiludir os corajosos que se deram ao trabalho de ler este "testamento". Se me disserem que isto não é uma obra-prima, não vou certamente discutir isso (sabendo que "têm razão")... mas só pelo simples facto que mexeu tanto comigo (principalmente aquele momento que considero ser o clímax desta curta de quase quatro minutos), merece inquestionavelmente uma menção honrosa! Tal menção ainda tem maior razão de ser ao ter um amigo como o Luís envolvido e responsável pelo meu desequilibro emocional de 10 segundos, provocado com excelência e qualidade artística... porque sim: Está representado de forma eximia!

- "Que fiques com noção Luís... do quão bonito eu achei este momento que me proporcionaste meu amigo!"

Ultraviolet (Light my Way)

2011-11-10T13:58:00.001Z

by: The Killers

(Original by U2)

In celebration of U2's album "Achtung Baby" 20th anniversary, a new edition was released followed by an album full of covers by artists in the likes of Jack White, Patti Smith, Snow Patrol or Fray (among others).

This is probably my favourite cover of them all...

So Funny!

2011-11-09T15:39:00.000Z

Really great initiative by Jimmy Kimmel

Deixa-me Ser

2011-11-08T17:16:00.000Z

by: PAUS

Same Mistake (Live at Jimmy Fallon)

2011-11-07T16:09:00.000Z

by: Clap Your Hand Say Yeah

The Adventures of Tintin (2011)

2011-11-05T14:50:00.000Z

The Adventures of Tintin (2011) has to be one of the best animation movies that I've seen in my life! Visually it's perfect, something that really surprised me due to the fact that its something unusual of Spielberg's part (the animation genre I mean).

Combining forces with Peter Jackson (who produced this feature), Mr. Spielberg brings us the adventures of Hergé's creation and masterpiece, the young and restless journalist, Tintin!

Voiced by English actor Jamie Bell, it has some of Hergé's most well known supporting characters give their contribution through the voices of actors like Daniel Craig, Simon Pegg, Nick Frost or Toby Jones.

Based on the book "The Secret of the Unicorn" this movie has all the necessary ingredients to entertain a crowd. Action and adventure in the likes of Indiana Jones, many twists and turns and plenty of humour make this first successful instalment of what it looks like to be a potential massive cinematic franchise. There's plenty of excellent source material and if cast and crew stick to the working formula of this first movie, then we can wait for a few more to come.

I would only say that the film was a bit too long, with sequences that could easily be left out (sequences that don't even are in the original book). There are a few things that aren't "right" (if we even can say that), according to the book. Like for example, in the movie Hadock and Tintin have their first encounter, but originally, by the time the books get to this adventure, they were already close friends. Maybe it's not that big of a deal, but you have to understand that I grew up reading these books and I was a major fan, so every little change that I was able to perceive, had some sort of influence. There were a few more, but don't want to point out every single detail as it doesn't make any sense me doing so and obviously I do not want to reveal different lairs of the plot by discriminating the differences. First and foremost, this is an adaptation, so obviously the material is subject to some changes!

Regardless of that, I absolutely recommend everyone to see this in the cinema while they can. It makes a huge difference to watch it on a big screen and even the 3D plays a big part... Doesn't make you feel like the action is taking place in the room, but adds up in terms of aesthetic quality! Like I said, in terms of animation (visually) is probably the best I've seen so far.

As for the rest, its well worth seeing it, but maybe a bit more depth should have been given to the characters... but oh well... I guess it's not what the mass audience requested in a movie such as this! Only the real Tintin fans will know what I'm talking about I suppose...

Your Sweet Voice

2011-11-04T15:02:00.000Z

by: The Reindeer Section

Your sweet voice
Lets me know there is a choice
Plays me slow
Oh, Much more slowly than that

And when we danced
We danced warm cheek to cold cheek
A sideways glance
I knew you were looking at him

I can't call you a friend
Cause when you left me here
You left me here to die
Don't worry I wont call you again
Cause when I take a hint
I take it pretty hard
And when you broke my heart
you broke it into shards of glass

The telephone yells out
At me to wake
I won't be blamed
For someone else's mistakes
It's your sweet voice
Sounding cheery and warm
It breaks my heart
But I summon up all my charm

Can I call you my friend?
Cause it's been so long
Since we've talked
and I miss you
Don't worry I'm over you right now
So my feelings wont get in the way of it
Oh, I miss the way we talked
about the little things

It's Real

2011-11-03T15:08:00.000Z

by: Real Estate

Fast Five (2011)

2011-11-02T12:06:00.001Z

Ok... So... I saw this movie some weeks ago and I must admit I was very lazy to write about it back then, as I am lazy right now... But there's no way in hell I'm leaving this one behind!

Had such a great time watching this!

Really!

And I want to say "Who would have known?" like I was greatly surprised by the increasing quality of Fast Five (2011) compared to the other movies of the franchise. But I can't!

I was already aware that this last instalment was by far the best one of the Fast and Furious saga! The reviews were great, the box office results were the best from all five... all of which came with no surprise after seeing it for myself!

The direction was actually pretty good... Really nice shots from Rio de Janeiro, plenty of well executed action sequences and fast paced car chases, "F&F" style.

The cast reunion was an excellent idea to begin with... Getting to see the essential characters work out together was a good call indeed, plus adding Dwayne "The Rock" Johnson, was like adding a secret/special ingredient. His performance was outstanding, easily outshining the rest of the gang. Was great to see him on solo scenes or alongside some of the main characters, especially when sharing the screen with Vin Diesel, having their fight scene come as a display of the most anticipated moment of the feature, hitting its climax in a very intense way!

Being an action fan and admirer of both Johnson and Diesel, it's hard to resist the combination of these two names, who with the help of a very nice script, made everything far more interesting!

But the success of this film goes beyond the efforts of the director and the influence of their cast... It's the plot and change of genre that strikes me as the most significant component of Fast 5. Going from being labelled as a car movie, to a Heist movie is a big change, one that has probably contributed to the extension of this franchise by incrementing new elements and making it more diversified within it's universe.

Well worth seeing it!