Thursday, July 26, 2012

Optimus Alive 2012

First of all, let me start by apologizing for this long absence, but I was away on holiday back to my dear home in Cascais, Portugal.
I'm aware this was the longest break I took from the blog, but in my defense, work has been limiting my writing time - and social as well - therefore, it was clear for me that I needed a break. And yes, I know this is not something crucial making it useless my action of justification, however, just wanted to let the readers know that I'm not becoming sloppy.

Having said that... let's "get down to business"...



Another year, another Optimus Alive... and even though more than a week as passed by and the topic isn't as fresh, I could not contain myself. This is something I needed to write about, while sharing a few stills and videos of my own.

- I must warn you, the videos are small bits and pieces and not the entire tracks -

As always, the people responsible for this festival brought to the audience a line-up that can only be described as: superb.  And this is not only according to my standards, but to the thousands of attendants who came all across Europe to see some of their favourite bands, be it a revival or just to get a taste of the trendiest sounds across the music sphere.

There was sounds to go around and please all sorts of people... From cult rock vanguard to new beats and rhymes, going on to the best club tunes... even a breed of Portuguese artists had their chance to bombard those around the stage with their explosive and dancy tunes. Examples that will fit into all these categories that I just mentioned are The Stone Roses, Santigold, Justice and Buraka Som Sistema. If these names alone don't seem to impress you, let me just add a few more to the mix: Radiohead, The Cure, Metronomy, Mumford & Sons... are just a few of a star cast that Lisbon hosted in this year's edition.

From a personal point of view, I feel as times goes by, that I don't have the same energy - consequence of a working routine that I've acquired during my stay in London - and yet my desire to come next year remains the same, such is the quality provided in every single aspect of this event. Logistically is one of the best "fests" I've ever been to, considering its dimension, the options/conditions they present and the amount of high quality gigs. And there were plenty of these lasts ones...




Mumford & Sons are likely to top my list as the best live performance. The British folk band made justice to their reputation as one of the best live acts in Europe by putting a mesmerizing show with such power and charisma that everyone - including those who knew nothing about the group - raved about. It was memorable in every way, from the track list, to the arrangements they made and energy they putted in to their music. And the crowd was ready to receive what was being given, which is always good.




Another of the highlights were Justice, who made everyone wiggle their arms in the air or - if the space allowed - put up their best dance moves with contemporary classics such as D.A.N.C.E and We Are Your Friends. Too bad the sound volume was so low. Justice needed their music to be boosted up, which would go great with the fantastic visual performance, trademark of the French duo.


Santigold are in the list, because they were completely fresh and unexpected, making them one of the biggest surprises/revelations of those three days. Unfortunately, by the time I got there, they were half way through Desperate Youth, one of the few singles that I know and by far my favourite. Like a calling, as soon as I felt the music resonate in the air, I made my way sprinting to the crowd so I could witness that epic song. The rest that followed completely justified their spot in my "best of".

Up next in the list are Metronomy and The Maccabees, who I had the chance to see live back in London. I have to say though... The Maccabees have so many great songs that gain from an audience who knows how to sing along... and this time people just seemed to not know the lyrics. This is not by any means any kind of criticism. Just stating something that I've witnessed before and that gave the gig a different dynamic. William Powers for instance, just makes the whole trip to the arena worth it. Regardless of this, it was still a great gig, surpassing the one I saw in the British capital.

Metronomy were probably the second best gig and the perfect ending for the festival. After three intense days (and as I said) I lacked the same energy to face another session of singing and dancing, however, Metronomy's effort took over the crowd and just pumped every single person in that area. A lot of credit has to be given to the audience who behaved in excellent manor by demonstrating their appreciation for their music. Keep in mind this was Sunday (a lot of people worked the next day) and that it was 3'Oclock in the morning when they took over the stage. Guess what... It was crowded! And people sang and danced like it was the first day, with all levels of stamina charged and ready to go.


I would also like to include in this list The Kills, Noah and the Whale and Radiohead, but I won't... for the following reasons:

Noah and The Whale should have played longer than an hour. Again, not criticizing... Having in mind their slot - meaning: their performance schedule - I was aware they would only play for that long, however, it would make such a difference... Even so, they were great. Having presented themselves in a very smart/tidy fashion, their folk came through in same style, unfolding what it seemed discreet to a musical outburst, which certainly made the folk group gain more fans. 


The Kills were electrifying. Both members had such a chemistry that is hard for people not to react to it, but unfortunately, due to my lack of endurance that night and not being a kind of album that I play on my iPod in repeat, it was a bigger challenge to keep up with the same rhythm like those around me.  But credit must be given to the "Rock N Roll duo" has they are likely to be one of these years crowd pleasers.


Finally Radiohead... The group lead by Thom Yorke made their comeback to Portugal after a 10 year absence - not from the music scene, but from the Country - and so, I felt like they should at least play one or two of the crowd favorites. If you think about it, that's a hard task. They have a long and successful career with plenty of remarkable albums full of hits, so.. to make a set-list capable of fitting to everybody's needs and wishes, is rather impossible, but Creep - a track that I'm not particularly fan of - should have made it into their selection. And what about Fake Plastic Trees, No Surprises or Karma Police? All of these milestones of their career...
Anyway, it was still one of the highlights, but from a personal standpoint, it left me with a bitter-sweet taste.

Overall, from a personal and musical perspective, these three days were hard to top. Saw many friends, attended amazing gigs and witnessed great atmosphere.

Definitely will be there next year!

Wednesday, July 25, 2012

Conta Contigo


by: doismileoito

(vejam também a versão acústica)


Sempre assim fui
E depois?
Qual é o mal que tem?
O teu mundo rui
Não me dói porque o meu também
Se cais,
Não esperes minha mão
Com azar,
Ainda te empurro para trás


E nem de mim podes dispor
Conta contigo e cura a dor
E ao pores-te a pé vais ser maior


O que tem de ser há de ser
E o que foi são marcas
Que dão para ler
Basta ver quando as disfarças
Se estás
Numa guerra e és dos bons
Ou vais
Até ao fim ou vens sem paz


E nem de mim podes dispor
Conta contigo e cura a dor
E ao pores-te a pé vais ser maior


Com ferros
Em vez de ossos
Vais ter netos
E não gatos
Esquece a raiva
Varre os cacos
P'ra já tens-te a ti


E só de ti podes dispor
Conta contigo e cura a dor
Tu nem de mim podes dispor
Conta contigo e cura a dor
e ao pores-te a pé vais ser maior

Tuesday, July 24, 2012

Man of Steel - Trailer


Zach Snyder (director) and Christopher Nolan (producer) bring back the iconic Superman

Here's the first trailer for the movie coming out in 2013


Thursday, July 19, 2012

1985

While my post about "Optimus Alive" is on the making - and getting ready for tomorrow -
... I leave you with this:

1985 by: Wings

(band lead by Paul McCartney in case you don't know)

Thursday, July 12, 2012

Octupus


New single for Bloc Party's upcoming album Four (2012)

Tuesday, July 10, 2012

Blue Valentine - Soundtrack



As the cover clearly indicates and from what you can state after watching this soundtrack lineup, most of it was composed and performed by Grizzly Bear, which pretty much justifies why the music arrangements for this film were so good! 

Make sure to watch Blue Valentine (2010) and enjoy the soundtrack!


1. Grizzly Bear - Granny Diner
2. Department Of Eagles - In Ear Park
3. Grizzly Bear - Easier (Instrumental)
4. Grizzly Bear - Lullabye (Instrumental)
5. Grizzly Bear - I Live With You (Instrumental)
6. Grizzly Bear - Foreground (Instrumental)
7. Grizzly Bear - Dory (Instrumental)
8. Ryan Gosling - You Always Hurt The Ones You Love
9. Penny & The Quarters - You And Me
10. Grizzly Bear - Shift (Alternate Version)
11. Grizzly Bear feat. Zach Condon - Alligator (Choir Version)
12. Grizzly Bear - Easier   
13. Grizzly Bear - Lullaby
14. Grizzly Bear - I Live With You
15. Grizzly Bear - Foreground


Friday, July 06, 2012

The Amazing Spider-Man (2012)



I'll go straight to the point... I didn't like The Amazing Spider-Man (2012)!
 It add absolutely nothing new to the old installment, regardless of the minor changes they made.

Sam Raimi's version of "Spidey", which cast Tobey Maguire in the leading role was not a perfect Spider-Man, but was at least in a very good level... until the third one came along and all his good work was in a word: flushed! It made Peter Parker look like an idiot and it gave people only ludicrous scenes to remember. 

Nonetheless, despite the wrong turn that Raimi and his team gave to this franchise, it didn't justify to refresh the series by making a reboot. The studios and others involved, made it seem like there was no salvage to the previous one, but everyone knows they were just looking to make more money. Let's not forget that Spider-Man was one of the most profitable movies of all time... Do you see what I'm aiming at?

But although doing it for the wrong reasons, I couldn't deny I was looking forward to see it. And even if I had any mixed feelings, those quickly disappeared after the first reviews came out, while the iMDB score just kept improving. The feedback was so good, it gave me no choice but to watch it.

And why shouldn't I?

Marc Webb, the director, did a really good job on his debut with (500) Days of Summer (2009), the cast lead by Andrew Garfield and Emma Stone was top notch and the storyline seemed to add a few corrections to the original feature plus having a twists and turns that would spice things up a little bit.

Unfortunately, I knew minutes after the movie started that I wasn't going to enjoy it... Dialogues were boring, most of the humor either was dry and just really forced... Most of it seemed cheesy. Now and then something would come up to try and balance my level of satisfaction. How Peter Parker came to use his webs was an adjustment more faithful to the comic books and really enjoyed having Gwen Stacey - Peter's first crush - involved in the storyline, however, Uncle Ben's death, how he came to be bitten by the radioactive spider and the scenes leading up to that, how he came up with his costume idea among many other things, just felt wrong. Like this was a frustrated attempt of making this one so much different than the original. But guess what... even with those changes, it still felt the same, except with a worse villain - one for whom I felt no sympathy for what he could bring - and over the top acting. I really do like Andrew Garfield, but sometimes he would try to make things so overly dramatic, it just made me want to laugh.
Oh... and does Emma Stone playing a 17 year old girl, seem wrong to you? We have all seen before older actors portray younger characters, but even with her good performance, it feel like she didn't suit the role.

The only thing I would say was very (very) positive about this film were the action sequences, but keep in mind, this movie came out 10 years after Raimi's take on "your friendly neighborhood".

This movie may be called The Amazing Spider-Man, but in my modest opinion... it's far from being amazing!

Thursday, July 05, 2012

Car Song


by: Spank Rock feat. Santigold

Wednesday, July 04, 2012

Blue Valentine (2010)



Since its release in 2010, Blue Valentine has been growing through word of month and gaining a cult reputation that keeps increasing as times goes by.
I have been meaning to see it for a while now, especially after a few people raved about how good it is. Kind of strange, considering it was so low-profile... But now after watching it, I feel like it doesn't make any sense for this feature to have remained so "hidden" for such a long time, especially if you consider its leading cast, composed by two of Hollywood's brightest stars: Ryan Gosling and Michelle Williams.


Taking us through flashbacks that reveal different stages of each characters life and how their paths came to cross, Ryan and Michelle develop this amazing chemistry that later falls in to despise and contempt reveling how different they are from what they used to be. I guess that happens to all of us really... As we grow older we develop different ways of thinking, of reacting and feeling. For good or for worst, we are constantly changing, which leads me to think of that cliche phrase - of sorts - "People don't change". That's got to be one of the boldest and inaccurate statements of all time. But that's a whole different argument.

Moving on...
 
Both talents alone make the film worth it. They drag you into their personal dramas, leaving the audience to feel anxious and sometimes remorseful, while on other occasions taking a u-turn by making viewers to share the same love and happiness that the characters experience, such is the contagious way they portray it. You can even almost make their joy your own, which is remarkable! I mean, what a great thing to have from movies! In this artistic and even magical way, you get thrown  so deep into the plot, that you feel like you are part of it. That's at least one of my favorite parts as a movie goer. 
I have to say thought... this can be quite terrifying, depending on the intensity level to which you involved. Depending on what you experienced, you may be forced to revisit your past and look down on things that are better off making part of ancient times... Nonetheless, there's always good things to take out, if you have the right attitude.

Anyway... A lot of credit is due to the director Derek Cianfrance, who struggled to make this project happen mostly due to funding - or lack of it. The movie-maker waited a few years since the script was ready to go, until the actual filming took place, but the wait paid-off... at least that's my take on it,  along with many other critics who came out expressing their admiration towards this piece of work.

But there's more to it than the actors, the script or direction... 
Like always, when I'm truly impressed by a movie, its usually because all elements that come to play have made an impression and one of those elements that I give a great deal of importance is of course, the soundtrack.

Believe it or not, one of my favorite bands actually composed it and I wasn't able to spot it. I was highly into it and I said to myself: "first thing after this is over, I'll get my hands on the album". As soon as I started doing some research I came across the Brooklyn based band, Grizzly Bear, who were responsible by most of the tracks. But not only the indie rock band makes the music soar... Ryan Gosling - a musician himself - has one of the film's best moments when he plays the Ukulele singing "goofy" - as he puts it -  for Michelle Williams's character. Terrific scene and great track. There's also room for a classic of which I am a great fan: You & Me by Penny & The Quarters

There you have it... More than enough reasons to get the soundtrack.Combining all of which I've stated in this post, you can easily conclude that - at least from my perspective - this is a well worth 2 hours of your time to spend any day of the week.

Great film all around!

Wednesday, June 20, 2012

"That's what she said"


From arguably my favourite comedy show.

Tuesday, June 12, 2012

Wednesday, June 06, 2012

Tuesday, June 05, 2012

4 movies in 2 days



Crazy Stupid Love (2011) is the sophomore film by duo Glenn Ficarra and John Requa, who previously directed I love you Philip Morris, one of my favorite movies in 2009. Their new romantic comedy is a light heart movie, with a soft and funny approach to the basics of relationships and the idea of "true love". With an amazing cast and a nice, fresh script, you are sure to get entertained while also being remembered about some of the most fundamental things in life. Definitely a crowd pleaser.




Goon (2011) seemed to have everything to be a bad movie, but if you look closely enough, you can see some elements that will upgrade your expectations towards the 2011 comedy. It is written by Jay Baruchel and Evan Goldberg, this last one, being one of the minds responsible for movies such as Superbad (2007) or Pineapple Express (2008). That kinda offers comfort, because you know its in good hands. I'm a big fan of Sean William Scott, so that made everything look more appealing.
Based on a true story, Goon hits you in the face with unexpected and sometimes ludicrous humor... without going way over the top. Bottom line, its funny, but its a credible funny. Like I said... Based on a true story. It has happen. Oh and the choice for Sean William Scott's antagonist... is perfect. Liev Schreiber in a role you never thought you would see him.




Citizen Kane (1941) is movie directed and starred by Orson Welles, a man who became a legend in the film industry much to the success of this cult classic. It is regarded by many as one of the finest works to ever be seen, and after watching it this weekend, I can pretty much vouch for that as I'm sure it will go on from generation to generation always with the same appeal. Made in 1941, you can tell where a lot of what is done nowadays draws inspiration. Yet, even having movies resembling Welles masterpiece, it can still be seen as something almost new. That's the sort of feeling "timeless" movies hand out. This is surely one of them...



I had long waited for Prometheus (2012) to hit the screens in the U.K. Sunday, I couldn't resist it. The hype was too much for me to bare...

Ridley Scott was taking helms of a project that whether he likes it or not, try as he might to avoid comparisons, it is was always going to be heavily associated with the Aliens saga which he started back in 1979.
He has said this was not a prequel, but I can tell you it sure feels like one. The story has so many link with its original that it makes it impossible to avoid any connections.

Be it as it may, never thought a story with such potential could be so disappointing. I mean, its watchable... But with all the marketing and hype and with the expectations created by myself - due to the combination of a great cast with a legendary film-maker - it just seemed like this was going to be one of the best movies of the year. Hate disappoint you on  this, but that is miles away from being an accurate statement. Besides being visually great - not outstanding or breathtaking - it looked like a lot was missing. And don't even get me started on the 3D technology. What a waste of money and resources! Anyway, there might be some salvage for Prometheus. As the movie comes to an end, something is revealed that leads to a probable sequel. Hopefully they can work things out in to making this franchise more interesting...